Chata Addy and SHI DAH
Shi
Dah (means "thank you" in Ga) is a group who perform West African
traditional drumming and dance. Dressed in their traditional multi-colored
costumes, Chata's Shi Dah program adds an additional element to the learning
experience by providing students with an opportunity to experience not only
their difference in culture and traditions, but also the subtle gender
differences inherent in any cultural expression.
Shi Dah has worked with dancers nationally to present traditional
Ghanaian music and dance. They have performed at various festivals,
celebrations, and opened for international musicians on tour. With the talents
of both Chata and his guests, students are enmeshed into an experience that
leaves them with an appreciation of different cultures. They gain this new
awareness through a journey that taps into their own feelings of joy and
happiness.

Chata Addy
Professional Drummer, Composer, Dancer, Teacher and
Choreographer
Performance Background in GHANA
| 1985 - 1967: Lead dancer, Percussion: Stage performances
with my father,
Tete Kojo Addy in the family's traditional group, Red boneh. |
| 1985-1981: Band Leader, Lead Singer, Composer, Conga
Drummer:
Marriott Culture Group traditional Highlife music. |
| 1984-1983: Teacher of Drumming and Dance: Togo |
| 1984-1983: Stage performances with various Ghanaian music
groups: Togo, Ghana |
| 1979: Conga Drummer: Black Beats, a Highlife band
playing contemporary Ghanaian and American music. |
| 1977-1976: Lead Dancer, Vocals, and Acting:
Television performances with Numu wo ko my brother, Kpani Addy's group and
with other musical groups in Ghana,
Ghanaian Broadcasting Corporation. |
| 1975-1974: Teacher of Drumming and Dance: Schools in Ghana,
all ages |
| 1972-1971: Lead Dancer, Vocals, and Acting:
Performances with Numu wo ko
("God never sleeps"), Kpani Addy's group. |
| 1970: Dancer: Red boneh, Ghanaian National Dance
Competition, and First Place.
Toured Ghana. |
| 1970: Television appearances with Red boneh, Ghanaian
Broadcasting Corporation.

|
Chata Addy
Professional Drummer, Composer, Dancer, Teacher and
Choreographer
I was born in the Ga, traditional area of Ghana, West Africa in 1960 into a
large family of drummers, dancers and singers. At a very early age I was taught
to dance and play drums by my father, Tete Kojo Addy, a much-respected composer,
drummer and dancer. In 1985 I came to the United States to perform with my Uncle
Yukubu Addy.
| 1988 - Present: Band Leader, Composer, Lead Singer,
Tri-Conga and Percussion:
SUSUMA, which means soul in Ga, is a contemporary Afro/Reggae Funky Highlife
Band. First incarnation, Mii SHAE, formed in Ashland, then moved to Seattle,
and now is based in Portland, Oregon. SUSUMA has opened for I.K. Dairo,
Jimmy Cliff, Diblo and Lokato, Les Tête Brulées and Nzuake M'Bula. |
| 1985 - Present: Drumming & Dancing Teacher: All
ages, all levels - Schools, festivals, community and cultural events. |
| 1987 to Present: Solo Performer: Ashland, OR.
Seattle, WA., Portland, OR. |
| 1990-1991: Conga Drummer: Village Drum, a traditional group
playing Liberian music, Seattle, WA. |
| 1990-1991: Conga Drummer: Afro Sound, a group playing
contemporary African music, Seattle, WA. Studio recording, tape release. |
| 1988: Conga Drummer, Dancer: O.J. Ekemode and the Nigerian
Allstars, an Afro Beat band. Toured the U.S. |
| 1987 to 1996: Dancer, Drummer, and Singer: Performances with
Kukrudu and Okropong, my uncle, Obo Addy's contemporary and traditional
groups, Portland, OR. Toured the U.S. and Canada. |
| 1985: Dancer, Drummer: Performances with Odada, my
uncle, Yukubu Addy's traditional group, Washington, D.C. Toured the U.S. and
Japan. |
SELECTED RECORDINGS
|
This Is What I feel, 1998 Chata Addy & Susuma CD/Cassette
|
|
THE CHILDREN Chata Addy & Susuma CD/Cassette
|
|
SHI DAH Solo Tape
|
|
E Dide Studio Conga drummer: King Sunny Ade Release
|

CHATA ADDY
Drummer, Dancer, Composer, and Teacher
Chata
offers a cultural experience program for children that last approximately fifty
minutes. This cultural program has been presented around the country. Chata's
curriculum consists of several traditional songs and dances that he performs in
traditional costumes to the accompaniment of his own studio recordings. All of
Chata's recordings are of his own works on traditional Ghana percussion
instruments. Chata talks about his own native country, its location, its people,
and life growing up in Ghana. Chata demonstrates and describes each one of his
musical instruments. He tells how each one is used in African traditional music,
by using its Ghanaian name, which he has the students repeat. Chata teaches the
children to sing a song in his own language and he often encourages the children
to sing along with him. He invites students to join him by playing one of the
instruments or learning his dance steps. Chata gives each student a different
rhythm on the drums and the ensemble plays while Chata helps the volunteer
dancers. Chata rotates these activities a few times so many students can learn,
explore and perform Ghanaian music. This direct involvement with the learning
experience enhances the students' learning and enjoyment.
Percussion Workshops
Working with a small group of 20 or so students, Chata spends an hour showing
how various West African instruments are played. He discusses the role each
instrument has in its traditional musical style. He then encourages the students
to try some basic techniques in playing percussions. It is through this process
that a percussion orchestra is formed. During this workshop, the students not
only learn how to play an African instrument, but they learn how important it is
to work together as a team. After the workshop, the students are given the
opportunity to perform what they have rehearsed.
Dance Workshops
Steps and songs associated with a traditional social dance from Ghana are
taught during a one-hour dance workshop. After a brief 15-20 minute aerobic
warm-up to selections from the sounds of reggae, funky and world beat
contemporary dance music, Chata breaks down the various dance elements into
individual steps that the students can learn.
The students gain an appreciation for the movements and ceremonies associated
with traditional African dances as Chata guides them into how dancers
communicate with the drum. In Africa, the dancers and drummers communicate
through their movement. The student dancers have the opportunity then to perform
the dance that they have learned for the whole school at Chata's all school
assembly programs.
Residency Programs
Chata Addy is available for a variety of residency programs. This provides
students an opportunity to experience an in-depth study of West African culture
and music. Residency programs are varied and tailored to meet each
organization's individual needs, which can include a week of workshops and
performances by Chata Addy alone, or a combination program.
Chata begins the residency with dance and percussion groups, expanding upon the
basic concept described in his individual workshops. In these small groups, he
teaches the fundamentals of Ghanaian dance and percussion. The dance group
learns at least one entire Ghanaian dance, perhaps more; the percussion group
learns the accompanying rhythms. The teaching culminate in a performance at the
end of the residency where the two groups work together.
All residencies are designed to be interactive, hands on, skill-building
sessions. The students have the opportunity to work closely with Chata Addy and
individual band members while in the process of learning about a culture
completely different than their own. These programs often include study in the
areas of drumming or percussion, dance, culture, food, costumes. Residencies can
be structured to last for a week, a month, or a school year. The experience
exposes them to the people, the music, the dance and lifestyle of West Africa.
Program Fees:
| 1 Solo Program |
$350 |
2 Workshops & 1 Solo |
$700 |
| 1 Duo Program |
$550 |
Workshops Only (each) |
$300 |
| 1 Workshop & 1 Solo |
$500 |
| Travel stipend 30 miles |
$30 |
Additional Solo Performance |
|
| Outside of Portland at the same location: |
$200 |
Duo performances: |
$250 |
For
booking and information please call: 1(503)632-0411
or
email: ChataAddy9@AOL.Com
|